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 Ask away.  Might take a day or two for me to respond when real life gets in the way, but I'll try to be quicker than that.  Obviously I...

Tuesday, August 30, 2011

Review: The Warded Man by Peter V. Brett



Link:  The Warded Man

It’s important to understand that going into THE WARDED MAN you aren’t going to get anything groundbreaking when it comes to character or story. This is very much in the Eddings/Brooks mold of following the Monomyths that was prevalent in the 70s and 80s. There’s a farming village…it has a boy in it…he’s probably going to save the world. Or maybe not…

What Brett brings and proves to be the most interesting thing he’s done, is an idea and theme. What happens to humanity if we’re truly scared of the night? Once upon a time mankind knew this fear. The sun went down and fire left us only a few feet to see. There were lions and tigers and bears and maybe even men roaming the forests. We had reason to fear, we locked ourselves in castles, we banded together, we never slept sound…but we lost that. Now we have all the glories of civilization, light bulbs, door locks, shotguns, Chihuahuas barking at four AM at the paper delivery boy…shut up, Cisco!

But here, with THE WARDED MAN, what Brett does is take us back into that past and then pushes down the gas pedal. He creates a world where demons roam and if you aren’t behind wards you aren’t going to be making it through the night. If your ward fails you also aren’t going to be making it through the night. If……well, let’s just say there’s a lot of ways those demons are going to make it so you don’t live through the night.

This theme and how Brett plays with society as it confronts it are the best parts of THE WARDED MAN. As we know, humans can get pretty ingenious…especially those farmboys…

Four stars for nice ideas but bad farmboys.

Sunday, August 28, 2011

Review: The Black Prism by Brent Weeks



Link:  Black Prism

Green Lantern meets the Man with the Iron Mask. This seems like an absurd combination to describe something, but that is exactly what "the Black Prism" is, and even more absurdly...it works. It has heaps of world-building and a Jordanian precise magic system. Instantly I thought of Brandon Sanderson's style when I heard of color and light magic, and they do have much in common when it comes to the breath and scope of their worlds...thought Weeks knows how to curse...and apparently his characters actually have sex, even the non-married ones...especially the non-married ones...

Weeks created a world of light, where light is used to build and destroy, where light is used to kill and protect, where the sun is the most important object in the entire world, even more important than in our own. He has yellow buildings, blue tools, mirror armor, and boats made of every single hue. Perhaps the most interested creation is Weeks' version of the White Tower, which rotates to follow the sun. I liked the visual, sir.

It is not without its faults. I used Green Lantern to describe it and, yes, it feels like a comic book at times. Those who don't like Erikson hyper-fantasy might best stay away. If you're into green golems and blue crystal wrights though...you're going to have some fun.

As far as character, this is an area that lacked. Kip is a whiny farmboy, Liv is a perfect student, etc. Only Gavin Guile proved to have depth and some wonderful skeletons in his closet. The humor was also comic book worthy...earning many a groan. Despite these faults, I'll be getting the next in hardcover. Weeks is one to watch. He dreams big. Writers still content with just swords and horses could learn a thing or two from him.

Four stars.

Thursday, August 25, 2011

Real Review: Leviathan Wakes by James S.A. Corey



Link:  Leviathan Wakes

Leviathan Wakes gave me the most fun read of the year; as far as FUN goes it had more of it than even “The Heroes”, “Wise Man’s Fear” or especially “A Dance with Dragons.” I enjoyed almost everything about this book. I enjoyed the space-jockey aspect, the noir mystery, the vomit zombies, and the WORLD IS GOING TO END back half. It all plays well.

It doesn’t feel like each part shouldn’t naturally lead to the next part and the stakes keep rising in a way that you’re pretty sure the authors are just crazy enough to blow up the solar system. They make it absolutely clear they’ll kill some characters, and if they don’t kill them maybe they’ll just irradiate them, or suffocate them, or pressurize their eyeballs out their heads….so many ways to die in space…

The best part of the novel is the world they’ve chosen to play in. A solar system bound humanity, not stuck on Earth, not yet reached out towards the stars. We see all the troubles this brings the species: population control, gravity mutations, economic concerns, rationing of resources, knowing all it takes is for one asteroid driver to crack your planet like a walnut.

If I’m forced to complain about something I could say Miller as a character was a bummer to follow for half the novel.

Check this one out.

Four stars.

Wednesday, August 24, 2011

Real Review: Magic Slays by Ilona Andrews



Link:  Magic Slays

Not as good as the last but it still deserves all the praise. My favorite Urban Fantasy series for one reason: Andrews figured out it’s not about the Urban in the genre, it’s about the Fantasy. Yes, it has many of the same plot lines as the other novels in the genre. Romance plot with a big tough Were, far too many men interested in the main character, younger plucky ward/apprentice, character never having enough money. It has all that…

But where Andrews succeeds to rise above is in the world-building. This isn’t a series about a city, it’s a series about a world changed, a world switching between magical and normal life. It has thousands of years of history. It has vampires as necro-mobiles not the boring old bloodsuckers, it has complex Were-societies, and characters drawn out of fairy tales and the oldest of mythologies.

“Magic Slays” itself, I’m not as much of a fan of it as the last. It had good moments, but the single book plot was stymied by the fact that we know the big scary bomb won’t kill every single character in the series. The minute you put Kate and Curran in a situation with a countdown you know everything will mostly work out. Bestselling authors don’t kill ALL their characters. Only Richard Castle can get away with that…because he’s fake.

As for the over-arching plot of Kate and Roland…that was still great stuff. Can’t wait to see where this goes in the next one. Read the series: read THEE Urban Fantasy series.  You won't be disappointed.

4 Stars.

Tuesday, August 23, 2011

Real Review: Heartless by Gail Carriger





Link:  Heartless


This is the best in the series since the first. The style and atmosphere of these books don't belong in Scotland or Italy, they belong in merry ol' London. There's something about the time period and the city that just makes the absurdity of it all work. Yes, why not a woman fighting the paranormal with a parasol? Yes, why not rampaging mechanical creations in the streets? Yes, why not a pregnant woman waddling around - her words, not mine, ladies! - trying to save the queen? Why not poisonous porcupines? Why not teacups of doom?

I give Carriger points for marrying the paranormal to steampunk and then both of those to the Victorian Age. In a genre where much of the same will sell just fine, each addition was a risk, and it's worked out well for her and for her fans. I will happily read the next.

Three and a half stars and give the curve or else Floote will just find it anyway.