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 Ask away.  Might take a day or two for me to respond when real life gets in the way, but I'll try to be quicker than that.  Obviously I...

Wednesday, August 24, 2011

Real Review: Magic Slays by Ilona Andrews



Link:  Magic Slays

Not as good as the last but it still deserves all the praise. My favorite Urban Fantasy series for one reason: Andrews figured out it’s not about the Urban in the genre, it’s about the Fantasy. Yes, it has many of the same plot lines as the other novels in the genre. Romance plot with a big tough Were, far too many men interested in the main character, younger plucky ward/apprentice, character never having enough money. It has all that…

But where Andrews succeeds to rise above is in the world-building. This isn’t a series about a city, it’s a series about a world changed, a world switching between magical and normal life. It has thousands of years of history. It has vampires as necro-mobiles not the boring old bloodsuckers, it has complex Were-societies, and characters drawn out of fairy tales and the oldest of mythologies.

“Magic Slays” itself, I’m not as much of a fan of it as the last. It had good moments, but the single book plot was stymied by the fact that we know the big scary bomb won’t kill every single character in the series. The minute you put Kate and Curran in a situation with a countdown you know everything will mostly work out. Bestselling authors don’t kill ALL their characters. Only Richard Castle can get away with that…because he’s fake.

As for the over-arching plot of Kate and Roland…that was still great stuff. Can’t wait to see where this goes in the next one. Read the series: read THEE Urban Fantasy series.  You won't be disappointed.

4 Stars.

Tuesday, August 23, 2011

Real Review: Heartless by Gail Carriger





Link:  Heartless


This is the best in the series since the first. The style and atmosphere of these books don't belong in Scotland or Italy, they belong in merry ol' London. There's something about the time period and the city that just makes the absurdity of it all work. Yes, why not a woman fighting the paranormal with a parasol? Yes, why not rampaging mechanical creations in the streets? Yes, why not a pregnant woman waddling around - her words, not mine, ladies! - trying to save the queen? Why not poisonous porcupines? Why not teacups of doom?

I give Carriger points for marrying the paranormal to steampunk and then both of those to the Victorian Age. In a genre where much of the same will sell just fine, each addition was a risk, and it's worked out well for her and for her fans. I will happily read the next.

Three and a half stars and give the curve or else Floote will just find it anyway.

Thursday, August 18, 2011

Real Review: The Wise Man's Fear by Patrick Rothfuss

Link: The Wise Man's Fear

I should hate this book. I said these words to myself a number of times during my read of it, more often than GRRM uses "You know nothing, Jon Snow". Probably more than even a number during the Fae Super Sexathon. I should hate this book. The main character is a Mary-Sue on HGH, a lot of the plot is author created problems revolving around money, and well...Fae Super Sexathon and all. I should hate this book.

Yet...I don't hate it. I actually had a great time with it from cover to cover. Rothfuss processes an ability to draw you in with his prose, to make you sit at his feet, pull up your knees, and listen to storytime just like when you were in kindergarten. If you were home-schooled, I'm sorry this metaphor goes over your head.

Some of what I like is simply the first-person narrative doing its thing. First-person is either BAD or GOOD and here we have GOOD. Another part is the school story showing its power yet again. Buffy, Harry Potter, etc., so forth, that school setting just calls out to us. Even poor Spider-man is going back to school!

For the rest we are left with Rothfuss' words, his love for stories interweaving with each other, his careful attention to detail, and his ability to drop hints at what's coming up ahead of you and for Kvothe. Rothfuss gets us to pay attention and there's no skipping over the elf songs here. Sorry, Tolkien...

This novel does have its problems. The mercenaries felt like Aiel 2.0. Kvothe conquering a sex goddess was...laughable at times. As mentioned, the money worries might have taken up too much of the novel and are purely arbitrary tensions created by Rothfuss himself. Some would complain about Denna, but not me, I have little problem with Denna, she's one of the better characters. The problem is just Kvothe...who is a real jack BLEEP and he's at his most BLEEPY around Denna.

Not a perfect novel, but a novel that does have some perfect scenes in it, the Freaky Tree of Doom being the most perfect of all.

Really, all of the Kingkiller Cronicles hangs in balance on the last book, much like the First Law Trilogy did on Last Argument of Kings by Joe Abercrombie. We'll see if it was worth the years then, so onward to "The Doors of Stone".

Three and a half but give the man a curve.

Tuesday, August 16, 2011

Real Review: The Heroes by Joe Abercrombie

Link: The Heroes


Joe Abercrombie does some of the best character work in all of fantasy. A few look down on him for his outcomes being too nihilistic but no one can look down on him for being boring. This seems to be Abercrombie's main style. To entertain and delight with quirky characters, use of inventive narrative structure, and hit us with twists and turns that knock us silly. For some...too silly, silly enough that they resent the shock.

With "The Heroes" specifically it is structure that wins out over everything else. We are given a look at a single engagement that takes place during a war and that engagement is split into three days, with maps accompanying them. We are given a chapter that follows around a letter and another that jumps from dead man to dead man in the middle of a battle. Structure plays a very large part in Abercrombie's work and you can always expect a new look at something very old for the genre.

Characters actually proved a problem in "The Heroes" for me. Not that they weren't as screwed up and internally motivated as I've come to expect from Abercrombie. Gorst's inner dialogue got more than a few chuckles, we saw the most fully dimensional female character yet for Abercrombie, and I couldn't help but root for a prince's plans to work out. They are fine characters...for about 99% of authors...

For Abercrombie, however...I found myself thinking of the Bloody Nine, of the Crippled, of Cosca and Monza. As fun as Gorst might be to read, or any of the characters of "The Heroes" might be to read, they aren't as good as the characters who came before, and that limits the reader's connection with the work. I guess what I'm saying is...you did too well of a job the first time through, Joe, try to suck some next time, okay?

Friday, August 12, 2011

The King Henry Tapes: The Asylum

School stories are everywhere. Harry Potter, Buffy the Vampire Slayer, Ender’s Game, Patrick Rothfuss’ Kingkiller, and Veronica Mars to name a few I liked. Talk about popularity. Even X-Men, Star Trek went back to school in the last couple years and Spider-Man is joining them next summer.  There’s something about the high school situation that draws us back to do it all over again and again and again in fiction, and again and again and again we eat it right up.

For my school I created the Asylum and an Asylum needs patientst ...here is a first look at the Asylum:

Child’s Name (Mancy Type)
King Henry Price (Geomancer)
Heinrich Welf (Necromancer)
Valentine “Boomworm” Ward (Pyromancer)
Asa Kayode (Hydromancer)
Miranda Daniels (Aeromancer)
Estefan Ramirez (Electromancer)
Debra Diaz (Electromancer)
Curt Chambers (Spectromancer)
Malaya Mabanaagan (Spectromancer)
Quinn Walden (Spectromancer)
Ronaldo Silva (Cryomancer)
Raj Malik (Cryomancer)
Hope Hunting (Cryomancer)
Miles Hun Pak (Sciomancer)
Eva Reti (Sciomancer)
Naomi Gullick (Floromancer)
Preston “Pocket” Landry (Floromancer)
Timeeko Lewis (Floromancer)
Nicholas Hanson (Floromancer)
Sandra Kemp (Floromancer)
Patrick “Rick” Brown (Faunamancer)
Jesus Valencia (Faunamancer)
Jessica Edwards (Faunamancer)
Robin White (Faunamancer)
Athir Al-Qasimi (Mentimancer)
Isabel Soto (Corpusmancer)
Samuel Bird (Corpusmancer)
Yvette Reynolds (Corpusmancer)
Jason Jackson (Corpusmancer)
Nizhoni Sherman (Corpusmancer)

To find out more about the Asylum, get ready for THE FOUL MOUTH AND THE FANGED LADY on September 1st!